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Helping Songwriters since 1979 |
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Songwriting that Gets Results: Combining
Arts, Education, and
Community Outreach
Songwriting - Music
Production - Publishing - Mentoring - Performances - CD Recording -
Workshops - Drama
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-- A good book challenges
the way you think -- A great book changes the way you think --
"One of my
favorite songwriting journalists and scholars is my friend BILL PERE.... "
-- John Braheny, author "The Craft and Business of Songwriting"
"Bill Pere embodies the link between music and
science" -- The New York Times
" I can't tell you how impressed I was with
how knowledgeable you are and your way of making the material comprehensible "
-- George David Weiss, hit songwriter and President, Songwriters Guild
of America
"
It was a pleasure to be in your workshops. Your grasp of the material
and your ability to articulate it made it quite enjoyable" -- Ron
Sowell, Founder Mountain Stage Radio Show
"That was the most coherent and practical songwriting presentation I've ever heard, bar
none"
-- Mary Dawson, Author "How to
Get Somewhere in the Music Business From Nowhere With Nothing"
"I
am a published songwriter and member of the NSAI. Most of the
songwriting articles that I have found on the internet are elementary. I
found yours to be insightful and challenging, and comparable to a graduate
course for songwriters. Keep up the great work. " -- J.
Dobrowolski, published songwriter and member NSAI
"This
expert is ultimately brilliant. He helped me understand things that my
other instructors could not make clear. "-- All-Experts.com
clients |
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Songcrafters Coloring Book
began as a collection of published articles by Bill Pere, who was named by
Music Connection Magazine as one of the Top 50 "Innovators,
Iconoclasts, Groundbreakers and Guiding Lights of the Music Industry" in
2008. Bill is an award- winning songwriter, IMC
Indie Artist of the Year, Official Connecticut State Troubadour, and
President of the Connecticut Songwriters Association. This information on songwriting
techniques and music business insight has been helping aspiring songwriters
for almost three decades. . Some of the original articles are presented
below.
The entire book "Songcrafters'
Coloring Book: The Essential Guide to Effective and Successful Songwriting"
contains all new and expanded material, and a totally new approach to
understanding the process of songwriting that gives you unprecedented
control over your creative output.
(All
material is Copyright 1980-2009 Bill Pere. All rights reserved.
Contact Bill for permission to reprint. May be used academically with
proper attribution. May NOT be re-posted on the web. The information
presented here is accessed and used educationally around the world.
Please provide proper credit and respect the copyrights. )
This copyrighted
material is for the personal educational use of songwriters, artists and
educators, and may NOT be reproduced, posted on the web, forwarded, or
otherwise disseminated without permission. Academic use is permitted
with proper attribution. The complete "Songcrafters'
Coloring Book", with lots of additional material is available in book form
here. To work with Bill in person, or by mail
or e-mail, Check out the
Connecticut Songwriting Academy |
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These are some of the original articles which
form the basis for several topics discussed in the book.
The book contains much more depth, additional topics, and updated material.
Visit Bill's Blogs:
Songwriter Reflections --
Songcrafters'
Coloring Book
-- A WEEKEND SONGWRITING RETREAT WITH BILL PERE --
INTERESTED ?
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REGISTRATION NOW OPEN
LIMITED SPACES !
A
weekend songwriting retreat with Bill Pere based on the concepts of
Songcrafters' Coloring Book !
(
info and registration here... )
Guaranteed to give you a whole new way to approach
your music, and take it to new heights.
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Anatomy of a Song
--
It all starts here,
with Creation to Realization to Proliferation. This is the road map that
ties together all the pieces of songcrafting, and shows their relation to
the creative and business sides of the process.
(the
most up-to-date version can be found in the book) |
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The Concrete Abstract
Balancing Act
-- The How's and Why's
of balancing concrete and abstract lyrics. Add
IMPACT to your songs!
(expanded
information can be found in Chapter 5 of the book) |
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Expression vs.
Communication
-- The most fundamental concept in all of songwriting. Learn why songs
succeed or fail in hitting their target.
(expanded
information can be found in Chapter 9 of the book) |
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Focusing a Song
-- The key to making your songs hit home with the impact of a laser beam.
Learn how to avoid diluting the power of your songs.
(expanded
information can be found in Chapter 13 of the book) |
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Lists and Twists
-- Some basic concepts about song structure when using list vs. story lyrics
(expanded
information can be found in Chapter 9 of the book) |
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MBTI and Collaboration
- This article, published in the international Songwriters Market book, has
been considered grounbreaking in its approach to one of the most important
keys to success in the craft and business of music.
(expanded
information can be found in Chapter 23 of the book) |
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MBTI and Critique
- This article takes the mystique out of critique. Objective feedback is an
absolute necessity if you want to make your songs be the best they can be.
Here's how to make it work for you.
(expanded
information can be found in Chapter 24 of the book) |
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The Three Levels of Critique
- This article looks at different types of critique and helps you decide
what type of input you might find most useful at a given point in the life
of each song.
(expanded
information can be found in Chapter 24 of the book) |
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The Four Faders of Success
- Knowing how these four simple things are connected, how they are not
connected, and how you can control them will open new horizons for your
songs.
(expanded
information can be found in Chapter 4 of the book) |
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MBTI and Lyrics
-- Do your lyrics project the personality you mean them to have? Will
they affect people the way you want them to? Here's how to tell.
(expanded
information can be found in Chapter 23 of the book) |
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MBTI in the Music
Business --
Wouldn't it be great if you knew how collaborators. producers, managers,
lawyers, and artists would prefer to be approached and how they might
prefer to work with people? Here is some insight.
(expanded
information can be found in Chapter 6 of the book) |
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Hit the Bullseye and
Avoid the Bull
-- Practical
techniques for targeting your songs and achieving the specificity you want.
(expanded
information can be found in Chapter 10 of the book) |
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Interpreting Interpretation
-- (see also
Expression vs. Communication, and The Meaning of Meaning).
You often hear songwriters say "I want to leave my songs open to
interpretation! " They are usually mis-speaking. Here is what
that really means, and how to effectively deal with this complex topic.
(expanded
information can be found in Chapter 8 of the book) |
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The Meaning of Meaning (Part 1)
-- If you want your audience to understand
you and your message, start here. (see also
Expression vs. Communication).
(expanded
information can be found in Chapter 8 of the book) |
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The Meaning of Meaning
(Part 2) --
When is ambiguity a good thing and when is it not? Who is in charge of
what you mean -- you or your listeners ?
(expanded
information can be found in Chapter 15 of the book) |
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Strategies for the Digital Age
--You can easily put your music on the Internet, but how you you lead people
to it ? What new things do you have to consider in a digital world ?
Find out here. (expanded
information can be found in Chapter 27 of the book) |
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Branding Your Songs to
Capture Attention
-- What simple things can you do to make your song stand out uniquely from
the competition? (expanded
information can be found in several chapters of the book) |
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Metrics and Accents
-- One of the most important parts of a well crafted song is having all the
word and music accents properly aligned. Here's what to look for.
(expanded
information can be found in Chapter 18 of the book) |
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Metrics and White
Space
-- White Space: The
Final Frontier. So important but so overlooked is the empty space
between words and syllables. Here's the scoop.
(expanded
information can be found in Chapter 19 of the book) |
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Oronyms
-- Kiss the sky or Kiss this guy? The stuff he knows blows me
away -- or the stuffy nose blows me away? Here's what to watch out
for. (expanded
information can be found in Chapter 19 of the book) |
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Plaster, Mortar and
Cement -- Give
your songs a solid foundation with concrete references. Here are some tips
and examples. (expanded
information can be found in Chapter 11 of the book) |
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Rhyme Mapping
-- How to use rhyme to give your song solid structure and make it come
alive with sonic activity.
(expanded
information and visual song maps can be found in Chapter 22 of the book)
For visual song map example, see
here... |
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Rhythm and the Theory
of Relativity
-- What is the
difference between 3/4 and 6/8 ? What is 'swing'? How does music
rhythm affect lyric cadence? Why does any of it matter? Find out
here. (expanded
information can be found in Chapter 20 of the book) |
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Bah! Drumbug!
-- Percussion tracks
often create difficulty for songwriters producing their own music.
Here are some of the things to think about in programming a drum track. (Also see the
"Rhythm and the Theory of Relativity") (expanded
information can be found in Chapter 20 of the book) |
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Semantic Fields
-- Funny name, important concept. This is what keeps songs
focused and on target instead of becoming diffuse and diluted. In a
song about apples, don't mention oranges. In a song about fruit, don't
mention celery. Good examples in this article.
(expanded
information can be found in Chapter 14 of the book) |

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Sonic Activity
-- Make your songs Radio-Active! Songs come alive and really
"stick" when the meaning of a lyric is enhanced by ping-points, created
by the five primary tools of sonic activity. Learn here what they are.
(expanded
information can be found in Chapter 15 of the book) |
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Sale: The Seven C's
-- These seven essential elements will help
you find
a smooth path from creation to realization to proliferation as you draft it,
craft it, pitch it, and sell it.
(expanded
information can be found in the Appendix of the book) |
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Writing in the Key of "W"
-- Who, What When Where Why and hoW ; Six aspects of
a lyric that make the difference between a hit and a miss.
(expanded
information can be found in Chapter 16 of the book) |
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Stress and White Space
-- More about the
importance of the empty space between the words and how they affect the
overall impact of your song. (Also see the articles on Metrics)
(expanded
information can be found in Chapter 19 of the book) |
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The Role of
Associations in Art, Craft, and Business
-- Some organizations emphasize art, some focus on craft, and some on
business. What's the difference and which is right for you ? |
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Song Parameters
-- What's a parameter and what does it have to do with songwriting?
Everything ! Here's why.
(expanded
information can be found in
Chapter 2 of the book) |
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Role Call: You Are
Bartholomew Cubbins
-- With the
ascendance of the Indie Music scene, artists can now be in control of
all aspects of their activities, but to do so requires wearing many hats -
Here's how to keep track of them.
(expanded
information can be found in Chapter 3 of the book) |
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A Study in Spontaneous Sonic Activity
Generation --
Sonic activity,
ping-points, and semantic pivots are key elements in creating effective
lyrics. With exercise, you can develop your ability to write
this way without having to consciously think about it. Here's an
example. (expanded
information can be found in
Chapter 21 of the book) |
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If You Find This
Material Useful,
View the Table of
Contents for "Songcrafters' Coloring Book: The Essential Guide to
Effective and Successful Songwriting" by Bill Pere. The book
greatly expands and updates this material with even more techniques
and tools for helping make the best choices for your goals. A good
book challenges the way you think. A great book changes the way
you think! You can order your copy
here.
Interested in a weekend songwriting
retreat with Bill Pere based on the concepts of Songcrafters' Colrong Book?
Click
here for more... |
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=======================================================
To
see the lyrics for all of Bill's recorded songs, click
here.
Lyrics may NOT be re-posted anywhere on the
web without permission. Lyrics may be used for academic and
educational purposes if they are properly credited and include the copyright
notice.
=======================================================
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Looking for Constructive Feedback?
Need a Professional Song Critique with Marketing Insights
as Well? What Can Professional Critique Do For You?
CLICK HERE
for everything you wanted to know about getting useful
critiques for your songs.
Other Relevant Articles:
A Songwriters
perspective on American Idol
American Idol Myths
Why a Song must
Communicate, not just Express (the Kelly Clarkson story)
Looking for a Record
Contract ? Read this Article
How Much Do you Know
About the Music Business ?
Take the
MUSIC BIZ QUIZ.
15 Simple
Questions.
=======================================================
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GUEST BOOK
If you
would like to make a comment about Bill's articles or book, or join
the mailing list for songwriting info, please fill out the form at the
right.
For Booking Songwriting Workshops, Conference Programs, Concerts,
School Programs, LUNCH Ensemble Events, or customized programs,
contact us at :
CT
Songwriting Academy. PO Box 511,
Mystic CT 06355
E-Mail:
info @ ctsongwriting .
com
(remember to remove the spaces which are
there to prevent spam) |
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