HARTFORD BUSINESS JOURNAL
Greater Hartford's Business WeeklyTUESDAY,
SEPTEMBER 7, 2010
JUNE 8, 2008 Vol 16,#32
MUSICAL NOTES
Bands Favoring Web Over Major Labels
Technology helps musicians gain fans, produce CDs all on their own
By Mary Johnson -- Hartford Business Journal Staff Writer
Thousands of fans. A jam-packed tour schedule. A CD for sale. And no record
label behemoth behind it all?
That's today's music business, according to Chris Bowes, the drummer for the
Connecticut band Columbia Fields. And such independent success is fast becoming
music industry standard for up-and-coming musical acts trying to build a brand,
a following and a sound.
Columbia Fields, whose sound Bowes describes as a sort of Dave Matthews Band
meets John Mayer, is among a growing number of musical groups making music
independently, without a record label.
All on its own, Columbia Fields has amassed more than 14,000 fans on
Myspace.com, booked shows in venues across the state and landed airtime on local
radio stations WTIC 96.5 FM and KISS 95.7.
Over the past decade, the music industry has changed. It used to be that a
band needed a record label to hit it big. Labels had the power to finance,
distribute and promote new music.
New Opportunities
But starting with the days of Napster, technology has given emerging acts new
opportunities. Now, artists can amass a substantial following through Internet
music downloads, social networking sites like Myspace.com and individual artist
Web sites. They can produce CDs in the comfort of home and sell them through
online record stores like Cdbaby.com.
"I'm one of those guys who, when I was a kid, always saw myself up on stage,
playing in front of thousands of people," said Bowes, who's been with Columbia
Fields for about two years. The band's first CD, "When the Night Falls," has
sold about 750 copies at shows and through online distribution with Cdbaby.com.
"The industry's a little different now," he added. "Bands don't necessarily
need labels to get in front of large audiences."
"The heart of all the [industry] changes is definitely technology, bottom
line," said Adam Gootkin, co-owner of the recording studio Onyx Soundlab in
Manchester. Half of his studio's business is with major labels, artists and
corporations, like Dell; the other half is with independent artists.
Gootkin's latest project is a new track for R&B artist Brandy.
Marketing Tools
The music industry is going all digital, said Gootkin. Album sales are down,
he added, and that means less income for labels, which are set up to sell CDs.
Without the need for distribution, record labels become little more than banks,
he said. Large labels have yet to adjust their business model to fit the digital
times.
Declining revenues from CD sales has had one immediate impact on the
industry, namely that labels are becoming more selective in whom they choose to
sign, Gootkin said. That means musicians who are looking for the financial
backing of a major record label need to come to them prepared, pre-packaged with
an image, a brand and a following, he said.
"The closer you are to helping them see the vision, the closer you are to
getting a deal," Gootkin said.
Part of that challenge for young musicians is marketing, said Sheri Ziccardi,
public relations manager for The Hartt School, the arts school at the University
of Hartford. Ziccardi has spent years helping students in creative fields market
themselves. The tools certainly have evolved, she said.
"Thinking about marketing and promoting themselves can be a challenge for
creative types, who do not necessarily want to think about the ‘business' side
of the industry they choose to enter," Ziccardi said in an e-mail. "Fortunately,
today's students have been raised in a techno-heavy culture and are comfortable
with utilizing technology for self-expression and communication, so marketing
themselves may become easier for them in some ways than it was for their
predecessors."
Staying Independent
If musicians can grasp the ins and outs of the industry, staying independent
can be a viable option.
Music industry veteran and songwriting instructor Bill Pere maintains that it
only takes a band about 10,000 fans to be able to make music full-time and
remain independent of a label. He's seen it happen, when musicians are
industry-savvy.
"A person is now able to get their material to a wide audience," said the
Mystic-based Pere, who has put out 16 CDs but makes most of his royalties from
digital downloads. "The trade-off is that in the old school … the record label
basically does everything for you," he added. "And all you have to do is your
music."
But artists attached to a label get a small piece of the pie, if anything at
all, he said.
For example, a band signs a contract with a label and gets a $500,000 advance
to make an album. Any royalties that come from the sale of the resulting album
must first go to pay back that advance, Pere said.
"If you don't sell enough, you don't get anything," Pere said. "It takes a
heck of a lot of sales to make any money."
Keeping Profits
The independent market doesn't offer the connections or the budget. "But you
get to keep 100 percent of everything you make," said Pere, who has remained
independent throughout his musical career. "You are the one issuing contracts to
other people to do work the way you want it done."
Downloadable music has also created the need for a more strategic approach to
songwriting, Pere said. Sometimes listeners only get to sample the first 30
seconds of a song before deciding whether or not to purchase it. Long intros
won't get a song downloaded; those first 30 seconds have to rock.
"It's a totally transformed world, with its good sides and bad sides," he
added. "It's not a matter or right or wrong. It's about having your eyes wide
open."

Bill Pere: Songwriter, Recording Artist and
veteran of the music business |

Photo/Aaron Griesdorn
Columbia Fields band members, drummer Chris Bowes,
pianist/keyboardist Eric Heath, guitarist/lead vocalist Grayson Minney and
bassist Jon Coates, are currently working on their second, independently
produced album |
Originally printed in the Hartford Business
Journal, June 9, 2008, and
online at http://www.hartfordbusiness.com/news5694.html
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